Genre
Serialism songs
The Serialism genre features 223 tracks with an average tempo of 99 BPM. It is heavily influenced by top artists like __unknown__.
- Songs
- 223
- Average BPM
- 99
- Energy
- 13%
- Danceability
- 30%
#SongDurationBPMKey
-
151
Moses und Aron / Act II: Aron, was hast du getan? (Moses, Aron, Chor)
David Pittman-Jennings · austro-german modernism
—
81 · 3B81
3B
-
152
3 Choruses from Alice in Wonderland: No. 3, Father William (Live)
Irving Fine · american modern classical
—
113 · 8B113
8B
- 153 17 Piano Fragments: No. 6, — Arnold Schoenberg · austro-german modernism — 118 · 7A118 7A
-
154
Gurre-Lieder, Pt. 1: Orchestral Prelude
Arnold Schoenberg · austro-german modernism
—
93 · 4B93
4B
- 155 Moses und Aron / Act II: "Selig ist das Volk" / Orgie der Vernichtung und des Selbstmordes (Die Ältesten) Arnold Schoenberg · austro-german modernism — 63 · 9A63 9A
-
156
Varied Trio V / Lou Harrison/Abel Steinberg Winant Trio
Lou Harrison · american contemporary classical
—
90 · 8B90
8B
- 157 Gethsemane (fragment) (version for voice and piano) Arnold Schoenberg · austro-german modernism — 177 · 3B177 3B
- 158 17 Piano Fragments: No. 4, — Arnold Schoenberg · austro-german modernism — 129 · 2B129 2B
- 159 17 Piano Fragments: No. 9, — Arnold Schoenberg · austro-german modernism — 105 · 4A105 4A
-
160
Varied Trio: II. Bowl Bells
Lou Harrison · american contemporary classical
—
139 · 12B139
12B
-
- 161 Schein uns, du liebe Sonne (Arr. for Saxophone Quartet by Thomas Schön) Arnold Schoenberg · austro-german modernism — 76 · 7B76 7B
- 162 Kammerkonzert: III. Rondo rythmico con introduzione Alban Berg · austro-german modernism — 108 · 7B108 7B
- 163 Kammerkonzert: II. Adagio Alban Berg · austro-german modernism — 97 · 4B97 4B
-
164
Mouse Running
Muse · 21st century classical
—
116 · 4A116
4A
- 165 Moses und Aron / Act II: Orgie der Vernichtung und des Selbstmordes - "Eurem Vorbild, Götter" __unknown__ · austro-german modernism — 106 · 8A106 8A
-
166
17 Piano Fragments: No. 11, —
Yoko Hirota · austro-german modernism
—
70 · 7A70
7A
- 167 Double Music Sheena Ringo · american contemporary classical — 140 · 12A140 12A
- 168 String Quartet No. 2, Op. 10: 1. Mäßig Malin Hartelius · austro-german modernism — 107 · 9B107 9B
-
169
String Quartet No. 2, Op. 10: 4. Entrückung (Sehr langsam)
Evelyn Lear · austro-german modernism
—
134 · 3B134
3B
-
170
Gruppen (For 3 Orchestras, Work No. 6)
Berliner Philharmoniker · acousmatic
—
103 · 8B103
8B
-
171
Quartet, Op. 22: II. Sehr schwungvoll
Pierre Boulez · austro-german modernism
—
88 · 4B88
4B
-
172
Le marteau sans maître: Avant "l'Artisanat furieux"
Yvonne Minton · acousmatic
—
173 · 4A173
4A
-
173
Quartet, Op. 22: I. Sehr massig
Pierre Boulez · austro-german modernism
—
94 · 1B94
1B
-
174
Le marteau sans maître: Commentaire II de "Bourreaux de solitude"
Pierre Boulez · acousmatic
—
132 · 4A132
4A
-
175
Erwartung, Op. 17: Scene IV, "Der Morgen trennt uns"
Pierre Boulez · austro-german modernism
—
82 · 5A82
5A
-
176
5 Pieces for Orchestra, Op. 16: 3. Farben
London Symphony Orchestra · austro-german modernism
—
80 · 7B80
7B
-
177
Verklärte Nacht, Op. 4 (Version for String Orchestra): III. A tempo
Orpheus Chamber Orchestra · austro-german modernism
—
85 · 2A85
2A
-
178
Violin Concerto "To The Memory Of An Angel": 1. Andante - Allegro
Gidon Kremer · austro-german modernism
—
92 · 9B92
9B
- 179 Wozzeck / Act 2: Scene 4: Tavern Garden. "Ich hab' ein Hemdlein an, das ist nicht mein" __unknown__ · austro-german modernism — 78 · 6A78 6A
-
180
17 Piano Fragments: No. 17, —
Yoko Hirota · austro-german modernism
—
81 · 6B81
6B
-
181
String Trio, Op. 45: 2nd Episode
Ilya Gringolts · austro-german modernism
—
86 · 9B86
9B
- 182 Verklärte Nacht, Op. 4 (Version for String Orchestra): V. Adagio, molto tranquillo __unknown__ · austro-german modernism — 78 · 9A78 9A
-
183
Sinfonia for 8 Voices and Orchestra: V
Gothenburg Symphony Orchestra · avant-garde
—
103 · 4B103
4B
- 184 Suite für Klavier, Op. 25: IV. Menuet - Trio Maurizio Pollini · austro-german modernism — 67 · 5A67 5A
-
185
17 Piano Fragments: No. 3, —
Yoko Hirota · austro-german modernism
—
136 · 3A136
3A
-
186
17 Piano Fragments: No. 13, —
Yoko Hirota · austro-german modernism
—
132 · 7B132
7B
- 187 Concerto For Double Bass (1966): 1. Moderato cantabile __unknown__ · 21st century classical — 86 · 1B86 1B
-
188
Moses und Aron / Act II: Orgie der Trunkenheit und des Tanzes
NDR Sinfonieorchester · austro-german modernism
—
81 · 3B81
3B
- 189 5 Movements For String Quartet, Op.5: 2. Sehr langsam __unknown__ · austro-german modernism — 79 · 6A79 6A
-
190
Suite for Percussion: I. Moderato
Art Percussion Ensemble · american contemporary classical
—
94 · 5A94
5A
-
191
Langsamer Satz
Novus Quartet · austro-german modernism
—
73 · 5B73
5B
-
192
String Trio, Op. 45: Pt. 1
Ilya Gringolts · austro-german modernism
—
148 · 8B148
8B
-
193
17 Piano Fragments: No. 7, —
Yoko Hirota · austro-german modernism
—
64 · 8B64
8B
-
194
17 Piano Fragments: No. 10, —
Yoko Hirota · austro-german modernism
—
112 · 11B112
11B
-
195
Violin Concerto "To The Memory Of An Angel": 2. Allegro - Adagio
Gidon Kremer · austro-german modernism
—
92 · 4A92
4A
-
196
Chamber Symphony No. 1, Op. 9
American Youth Symphony · austro-german modernism
—
80 · 3B80
3B
-
197
17 Piano Fragments: No. 8, —
Yoko Hirota · austro-german modernism
—
140 · 6A140
6A
- 198 Recit (Chemins VII on Sequenza IXb) (arr. V. David) __unknown__ · avant-garde — 69 · 3B69 3B
-
199
Folk Songs: Black Is the Colour
Luciano Berio · avant-garde
—
83 · 7A83
7A
-
200
17 Piano Fragments: No. 15, —
Yoko Hirota · austro-german modernism
—
65 · 7A65
7A